CLASS!CAL
29. 10. 2024, 19:00 – Clarissine Church, Bratislava
Lenka Novosedlíková – seven.twenty.seven
Ivan Buffa – Pareidolia
Jana Kmiťová – Kamea
Matej Sloboda – Flocke für Hans
Samuel Hvozdik – In finitum

MIKROSKOP VII. – PHILIPP GERSCHLAUER
1. 11. 2024, 20:00 – A4 priestor súčasnej kultúry, Bratislava
Matej Sloboda  – Relatívne dlho. Relatívne ticho. Idúc. Kĺzaním. Krokom. Skočmo. Stále. Okolo. Hlahol. Drnčiac (2023), performed by Matej Sloboda                       Philipp Gerschlauer – solo extravaganza, performed by Philipp Gerschlauer

2. 11. 2024, 17:00 – Základná umelecká škola Júliusa Kowalského, Židovská 1, Bratislava
Interpretačný workshop Philippa Gerschlauera

ARS NOVA x HUDBA U FULLU with SLOVAK COMPOSERS IN SLOVAK CITIES 
4. 11. 2024, 19:00 – The House of Arts, Košice | 5. 11. 2024, 19:00 – Synagogue, Ružomberok
Ivana Chrapková – soprano

Lenka Novosedlíková – seven.twenty.seven
Ivan Buffa – Pareidolia
Jana Kmiťová – Kamea
Matej Sloboda – Flocke für Hans
Juraj Vajó – Five Songs for Sylvia Plath's Poetry

SCIARRINO x MURAIL x FILIDEI x CZERNOWIN
14. 12. 2024, 20:00 – A4 – Space for Contemporary Art, Bratislava
Ivana Chrapková – soprano
Felicita Brusoni – mezzo soprano

Francesco Filidei – Finito Ogni Gesto*
Chaya Czernowin – Ayre "Towed Through Plumes, Thicket, Asphalt, Sawdust and Hazardous Air I Shall Not Forget the Sound Of"*
Tristan Murail – La Vallée Close*
Salvatore Sciarrino – L'altro Giardino*

FOR MORE INFO VISIT: https://www.facebook.com/ensemblespectrum 

* Slovak Premiere     **World Premiere

PRESS

"Viva Musica! festival proved with this concert that it is possible to present works younger than 50 years. Thus, even the random participants had the opportunity to "lose themselves" in a transcendent hour of continuous sound."

Source: Hudobný život 09/23, Lucia Guničová

https://www.martinus.sk/?uItem=2175963

"...Over the ten years of its existence, it has increasingly focused on lesser-known or completely new compositions that place unusual technical and mental demands on the players. This time the orchestra has done a very good job with microtonality. It was evident that the musicians played with interest and understanding; mathematically perfect and harmonically pure harmonies rang out with intonational certainty. In terms of the choice of compositions and the quality of their performance, the concert far surpassed the format of an accompanying showcase of musical experiments with strange forms of tuning linked to a local academic conference, and if the festival attracts a wider audience in the future, it could become one of the major events of the Prague music scene. After the concert, several audience members confirmed to me that the selection of pieces and their performances satisfied both connoisseurs of microtonality and unprepared listeners encountering this area of music for the first time."

Source: HISVOICE, Milan Guštar 

https://www.hisvoice.cz/festival-mikrotonalnich-strategii/?fbclid=IwAR3oNlCDR-K_HGBAz1zhP8yJWNUILaYB...